Based in Barcelona, Kate Moore lends her words to D.A.U. More to come.
INTRODUCING HUESCA STADIUM

[Huesca Stadium, 1000 snaps, Kate Moore Gallery]
Perhaps you are driving inland from Barcelona, on your way to Bilbao. It is summer, and you think it’s better to avoid the coastal roads of the Costa Brava. You might stop in Zaragoza to see how the city is unfolding into the 2008 Expo. (It is possible that you are a little underwhelmed by the place). The map is dotted with a plethora of medieval towns, and bodegas (wineries), and you scan it idly or the most convenient option for lunch.
Counting the exits from the AP-2, you might register the name Huesca. If, on the other hand, you make the deliberate 80km detour to the town of pre-Roman origins now somewhat dominated by modern industrial buildings, it’s possible that it registers as an unexpected important moment in your life (my favourite type of moment).

[Huesca Stadium, 1000 snaps, Kate Moore Gallery]
The Huesca Sports stadium (described more lyrically in Castilliano as Palacio de Deporte) is a sports facility designed between 1989-91 by Enric Miralles and Carme Pinos. Characteristically of several other projects by Miralles, the project was surrounded by controversy in terms of large cost overruns. Another unfortunate parallel between Huesca and the more recently completed project of Miralles’ Scottish Parliament, was its spectacular structural collapse of part of the roof. The offending bolt in the ceiling of the great hall of the Scottish Parliament, echoes the night when one of the two steel tension wires that supported an elaborate roof system at Huesca, snapped, and sent the whole roof crashing down partway through the construction process. I imagine a mysterious night complete with a full moon, whispering, dry grass and the creaking metallic grinding of mechanical site equipment, that night in 1993 when the half constructed roof came crashing down in the dead of night.

[Huesca Stadium, 1000 snaps, Kate Moore Gallery]
Probably, the truth is much more mundane, but what else is intended by the tantalising clues strewn across the site such as the steel masts for the original roof structures, if it isn’t as a starting point for memory, mystery and history to be intertwined and re-invented by the divine faculty of imagination. So, that is the version I choose. The local variation also incorporates sabotage, an angry group of Huesca residents, enter the site, late at night, (to ensure no workers would be injured), and tighten the tension wires to breaking point. Their intention to save the town from the exorbitant indulgences of these architects, and their inflexible ideals, preferring the project to be completed with an alternative, simpler roof structure.
In the end, it is interesting to hear a response from Enric Miralles as he considered the potential catastrophe, “Observing the foundations. Only making observations about the way to do things. Not interpreting the ruin at hand.” Could it be this attitude that considers all events as an inevitable part of the story of a project, and all constraints as potential opportunities, that helped make Miralles such a great architect?

[Huesca Stadium, 1000 snaps, Kate Moore Gallery]
In the end, this article has been about the story of discovering Huesca Stadium, rather than a description of the spaces it contains. Suffice to say, spatially - it is an incredible experience. At a time when there are projects of a similar scale and program being built for the Olympic Games in London, or in many sites around Australia, it is surprising to arrive in a small, semi-rural town in Spain and finnd a captivating sculpture of light, form and interweaving functions that rivals any of its contemporaries.
References:
El Croquis “Palacio de deportes de Huesca”
Paisajes “Pabell—n de deportes - Enric Miralles”